Saturday, December 21, 2013

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'After the Race', Manuel Gutiérrez Nájera | Culturama magazine vintage doorbell of cultural information
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"When Berta put on their marble table forks silver and ruby earrings, bronze clock, surmounted by the image of Galatea asleep among the roses, with its sharp bell gave twelve. Berta let his blond braids Venetian kissed him, shivering, waist, and blew his breath the spark plug, to avoid being undressed in the mirror. vintage doorbell Then, stepping with her bare feet impatiens carpet, addressed the narrow bed of rose wood, and after a brief prayer, lay down on the white bedspreads that smelled new holland and violet. In the warm alcove were heard, nothing more, the stealthy footsteps of the elves who wanted to see Berta numb and the ticking of the pendulum tireless, love eternally hours. Berta closed her eyes but did not sleep. For his imagination to escape the horses crossed the racecourse. How beautiful life is! A house covered with tapestries and surrounded by a belt of white camellias in the corridors, vintage doorbell down, cars whose wounds the sun shining varnish, and whose interior, padded and warm, transcends Russian leather and kidskin; horses in piafan beautiful spacious stables and banana leaves, erect in Japanese tibores, above, blue sky back space, lots of light, vintage doorbell and the notes of the birds up, as souls glass amber fluid by the atmosphere in the white-haired father who never quite find enough pearls and lace for her daughter's closet, vintage doorbell the mother who watches her bedside when sick, and would like to surround it with cotton, as if brittle porcelain; travesean vintage doorbell naked children in her crib, and the clear mirror smiling over marble vanity. Outside, the movement of life, the coming and going of carriages, bustle, and at night, when the dance or drama ends, the figure of the poor and love that awaits

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