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Monasticism and the establishment of monasteries in Albania have been the subject of scientific study because of the communist masterbell regime. However, throughout the indications, early founded the ascetic life forms conditions initially individual masterbell and later institutional - as anchoritism and communal system. It is assumed that the first institutional forms of cenobitic monasticism should be reduced, masterbell while at the oral sources in 6th century by Justinian, in particular the written pyges late 9th and beginning of the 10th century Macedonians, when the apostles Cyril and Methodius sent their students ie local saints Angelario, Gorasdo, Clement, and Sava to epanefangelisthoun populations from the Vardar masterbell as the Akrokerafnia Mountains. Here they founded masterbell monasteries in Albanian, Macedonian and continental hinterland, focusing on Prespa and Ohrid. The damaged Cathedral of Saint George in Korca The monastic monasticism From forms of communal monasticism the main system here seems flourished without disappear and other forms, according to what we can conclude from the existence of hermits in rocky places rocks, mountains and lakes (Costaras, Cave Tranosistas, Prespa Mr. a.). According to oral tradition. monasteries masterbell were founded in this region in three phases: - During the reign of Justinian (mid 6th century) - At the time of Constantine Pogonatos (second half of the 7th century) - The Macedonian dynasty (mid 9th century to mid 11th century) However, written tradition indicates masterbell as the first founding monasteries from the late 9th century to the 11th century. Then the modernizers Saints Clement, Nahum and Vladimir erected monasteries in Achridon areas and GENUS river. The archaeological researches also can not agree with verbal echoes establishing monasteries from the 6th to the 11th century as the salvaged buildings where legends insist, they are much later. However, it is certain that in many places where erected monasteries, were the ancient Christian shrines (Apollonia, Ardenitsa, Stegopoli, masterbell Mesopotamia, pockets, etc.). The temple of Saranda as it was in 1940 The historical fate of the surviving monasteries from the 12th the best the 13th century onwards, especially during the era of Epirus, masterbell rescued some Byzantine monasteries, like Apollonia of Mesopotamia, and Kosinas of Orikou etc. Then founded many monasteries anidryontai new or old, always generous donations (over the ruins of the older) during the 16 -18 century. ie, when the Ottomans pursued a violent or voluntary masterbell Islamization of these areas. From this phase rescued masterbell about 80 monasteries! Poor guy, because of Ottoman conquerors initially and ultimately because of the Communists, many monasteries were destroyed and changed diothikan use. Until a few years ago many monasteries were turned into barracks (pocket Contras, Pepelis) powder magazines masterbell (St. Basil, Vourkou), pastures (Ravenia, Tsiatista, Stegopoli, Dervitsani) is abandoned to the ravages of time and looted masterbell (Moschopolis, Dryianou , Himara, Kosinas). Some, however, have survived because recognized national architectural heritage specimens (Monumente Kulture - such as Apollo and Ardenitsas, operating as beards and tourist center respectively) and tourist attractions (Mesopotamia, Berat, etc), but should not be silenced lifesaving role played by the Institute of Monuments with several scientists such A.Meksi, P .Thomo, St Adhami, S. Anamali, M.Arapi, E.Sopi, masterbell D.Budina, R.Gega thanks to whom studied and preserved rudimentarily quite universal. They are all in very difficult times formed the core of salvation many religious monuments of the country. Morphology of monasteries overwhelmingly masterbell monasteries have been built in prominent places with natural beauty and dominance in the surrounding area: but erected on hilltops (pocket Gardikaki, Politsani) the mountains (Dryianou, masterbell Cave) is a cave (Costaras, Prespa) the river banks (Mesopotamia, Kolikondasi) in the beautiful bays (Vrahati Forest, Orikos) or in secluded lagoons (Svernitsa, immaterial) and elsewhere. Surrounded all around usually high fence, inside masterbell which touch the built cells and other monastic establishment of the monastery, the ground-floor underground. All cells, the hostels, the Bank facing the open courtyard, the center of which the core of the monastic zone rises, the ledger. The building program is clean, simple and adapted to the space and physical singularity of. Generally monasteries are not fundamentally different from other monasteries of the continental and Macedonian space to the building program and a
The strange for all of us who do not know the art of hagiography is that the mosaics were covered with a thick layer of lime (about two fingers). While Christian symbols la toque blanche covered the crosses seemed over lime. It is covered with plaster paintings, it is very strange not seen with the naked eye, but to reflect on the photographic lens !!! Hagiographer, who has worked in mosaic la toque blanche icons, he says: "To understand talk of an inert material eg stone (such as the mosaics) la toque blanche it is impossible to give a color reaction on fresh plaster la toque blanche (not only contains la toque blanche lime) to reflect the Cross shape "The crosses are Orthodox (Equal) Byzantine and are modern phenomenon in recent months. In the case of oxidized metal crosses, painter said: "And as you will know the iron in conjunction with the passage of time and the endless weather causes oxidation and the red (rust) spreads like cancer." The mosaics of Hagia Sophia la toque blanche remained uncovered until 1847, as evidenced by testimonials sightseers viewing images mosaics, other conspicuous and other dimly visible. The Turks, rather than move the uniquely beautiful mosaics of Hagia Sophia, the covered with metal and plaster. In light came the representation of an angel, which was covered for six centuries by conservators in Hagia Sophia. The Turks felt that aim to bring forth a second angel, dating from the Byzantine Empire. The American Byzantine la toque blanche Institute in 1930 undertook the work to uncover the mosaics, most important of them are: a) "Enthroned Virgin": cuddle Christ and the Emperors la toque blanche Justinian and Constantine left and right to offer one of the temple and the other Constantinople. It is a mosaic of the 10th century and is located in the drum of the arc of the South Gate of the narthex. b) "Christ Enthroned" picture represents la toque blanche Leo VI (886-912) Left within parapet, find praying Virgin Mary and angel of the Lord right. Find the drum of the arc of the main gate of the inner narthex. It is a mosaic of the 10th or 11th century (case of the writer). c) "Christ Enthroned" image represents the emperors Constantine IX Monomachos (1042-1055) and Life (1028-1055) to offer gifts, which obviously immortalized donations of Gladiator, which according la toque blanche to the historian Skylitzes, ensured daily celebration of the operation was only Saturdays, Sundays and major holidays, lack of annuities. The image is located at the south gallery (loft) and mosaics of 1044 (11th c.). The heads of the forms of this mosaic, which replaced the older heads mosaic la toque blanche depicting the Empress Zoe and her first husband Romanos III Anargyro either side of Christ in memory prior donation to the church of Hagia Sophia, observing and painting style that characterizes art of the period between 1040 and 1070. d) "Virgin and Child" between Emperor John II Comnenus (1118-1143) and the Hungarian Peace with blond hair and bright eyes to offer gifts, find the gallery (loft) and It is a mosaic of about 1118 (12th c.). 2. The Murals Immediately after Iconoclasm offer frescoed sanctuary of the Rotunda (late 9th century) and Agios Andreas Peristeron (870-880), while those of Our Lady "Chalkeon" (1028m.Ch) is the largest mural decoration in Greece in the 11th century. The church after the Fall of Constantinople (1453) turned into a Muslim mosque suffered great damages especially magnificent frescoes, because Muslims banned the depiction of man and the Divine and therefore covered all the frescoes of the church. Powered by Blogger.
The Group of the Cathedral of Christ's Resurrection was erected on a plot of Tirana center, gradually granted by state authorities (2001-2005) in place of the plot of the previous Orthodox cathedral, which demolished video kaputelefon the atheist regime in 1967. For architecture project study conducted in 2002 international architectural competition, which awarded the first prize in the office Papadatos Partnership LLP Architects from New York. The original architectural proposal has met with considerable further processing. The Group consists of the following sections: the Cathedral, the Chapel, the Belfry, the mansion and the Synodical Conference and Cultural Center. The architecture of the temple is based on the capture cycle, video kaputelefon which incorporates the concept of endless (eternal) video kaputelefon time, the vertical axis of which (the splicer earth and heaven) is also the center of the whole Group. At the same time constitutes the center of an oversized cross, length and width 49 m., Of which the antennas are the main structural elements (pillars) of the temple. The church is covered with a dome inside diameter 26 m. And a height of 23 m., While the four pillars ending in vaults. The Cross of the dome, the four arches pillars and three apses of the sanctuary is lined with sheets of copper gold shade. Perimeter the pillars of the dome of the windows are arranged 52 relief video kaputelefon decorative video kaputelefon elements, while the four pillars are reliefs on the monogram ~ and the wheat as a symbol of sacrifice for fruiting. The west side - facade of the church contains a large bow. The arc creates video kaputelefon a sense of host and shape of the light-blue curtain wall refers to the rainbow. The west wall is lined with white marble and the center of the main entrance there. Above the main entrance a large brass cross, surrounded by two ears of corn, a symbol of sacrificial love and dedication video kaputelefon (Jn. 12:24). video kaputelefon The gallery, located above the narthex and the side galleries, has stepped floor, video kaputelefon so all believers have visual contact with the nave, the solea and iconostasis. The dome is internally embossed and decorated by a mosaic in the center of which stands the Almighty. Perimeter twelve recesses develops decorative illustration sky. Around the Almighty our noon rays convey the feeling of the rays of divine light, video kaputelefon which through the windows to diffuse throughout the city. Mosaic also decorated the apse of the sanctuary and the four large arches that "tote" the dome. Between the Sacred and the nave inserted Solea, located at a level 50 cm. Higher than the nave. The central chandelier is made of perforated sheet brass, creating superimposed levels candles shaped circles and semicircles. One hundred and twenty candles developed around video kaputelefon complete illumination of the church. On the northwest corner of the site has erected chapel, covered by cross-vaulted roof. The domes, which are coated video kaputelefon with copper leaves, resulting in circular windows. The sanctuary is divided with carved iconostasis, while on a circular glass window in the center of the floor, natural light reaches the baptistery, located just below the chapel, in the basement. The chapel is dedicated to the Birth of Christ and adorned with relative frescoes. The architectural concept of the height 46 m. Spiers belongs to Archbishop Anastasios and the final design was made by the study group. Basic idea are four Easter candles, symbolizing the four Evangelists, who announce the resurrection. These are joined around the central core of the staircase. The circular video kaputelefon staircase leads to two balconies, which posted 16 bells. Over the bells a tetrahedron clock marks the current time. On the east side of the complex is the Synodical Hall, to house the offices of the Synod of the Archdiocese and the Library and two Chapels. These spaces are arranged in four aboveground and two underground floors. In the C floor, three large terraces open to view of the center of Tirana and the Duomo. The cover of needs for the creation of Conference and Cultural Centre was the utilization of both groundwater beneath the Cathedral Square. The Centre comprises a conference hall for 500-850 participants, which can be used for lectures, screenings and music events. The wing auxiliary spaces - backstage, allowing it to be used as a theater. Right from the imposing marble staircase leading to the Cathedral, there is a large space for Bookshop and religious store. To the left of the ladder have
